Horses for Healing

Posted on July 18, 2018 by Jerrilee.
Categories: equipment, handicap, health, military, riding, therapy, training.

Combat veteran Rick Iannucci with Cowboy Up!

Photo:Melanie Stetson Freeman

On June 8,2018 the U.S. House of Representatives passed bill: HR 5895, (the Military Construction and Veterans Affairs Appropriations Act of 2018), which included an amendment to increase funding for the Veterans Affairs’ Adaptive Sports Grant Program for equine-assisted therapy. The amendment, introduced by U.S. Rep. Andy Barr (R-KY) increases funding by $5 million for fiscal year 2019. The funding will enable an expansion of services that use equine-assisted therapy in conjunction with mental health care treatment and services to veterans.

excerpts from article by April Reese in Christian Science Monitor:

For 2-1/2 years, a stream of Iraqi and Afghan war veterans – many carrying both physical and psychological scars of combat – have found their way to Mr. Iannucci’s Crossed Arrows Ranch, about 15 miles south of Santa Fe, N.M. After first learning to groom and walk the specially trained quarter horses, the vets work their way up to mounting and riding them around the arena. As the veterans bond with the horses and learn how to “read” them, they begin to heal and feel connected with the civilian world again, Iannucci says.  “Horses are so in tune with you – if you’re uptight, they’ll know,” he explains. “They coax a certain level of contemplation out of you. They demand for you to be in the now. When the vets start working with the horses, they immediately start calming down.”

Some arrive with physical disabilities, such as limited use of arms or legs wounded in combat. Others are dealing with traumatic brain injuries, a result of roadside bombs or sniper attacks. Many have been diagnosed with post-traumatic stress disorder (PTSD). “We call it ‘post-traumatic spiritual disorder,’ because we think the thing that happens to people in war is a wounding of the spirit,” Iannucci says. “Our goal is to find that [wound] and start working on it.”

Iannucci, a compact man with a purposeful demeanor and a walrus mustache, grew up in horse-racing country in southeastern Pennsylvania. From about age 12, Iannucci trained and rode quarter horses his family kept at his cousin’s farm. After retiring from his job as a US marshal working in Colombia, he moved to New Mexico and returned to horsemanship in earnest. He bought the ranch and built a horse arena, initially to provide a place for children to ride. A few years later he started inviting veterans to come and work with the horses. Word about Cowboy Up! began to spread. Brig. Gen. Loree K. Sutton, former director of the Defense Centers of Excellence for Psychological Health and Traumatic Brain Injury, visited the ranch last year. Rep. Ben Ray Lujan (D) of New Mexico has also paid a visit. “Rick doesn’t hesitate to take on a challenge, but he’s also a very humble and patient person,” Mr. Lujan says. “The program is truly impressive. Just to see the faith these men and women have is incredible.”

 

Music of the Peers

Posted on July 12, 2018 by Jerrilee.
Categories: breed, history, riding, therapy, training.
USEF photo of Stefen Peters & Ravel (2012 Olympic Freestyle)

The dressage industry was one of the last disciplines to add the element of music to competition. The freestyle ride was long debated and denied as a performance class mostly because performance judges feared the option given to riders to create their own programs would initiate a trend toward circus-like presentations. In their opinion, over a period of years, the aberration of dressage movements could leave the classical principles of dressage in the shadows of  history. In the 1970’s, however, came a more immediate threat for the dressage industry: the financial burden of its horse events. Rising costs of stabling, insurance, maintenance of the ring footing, required such an excess of cash that the backing of corporate sponsors was essential. As they came on board, these sponsors began to encourage show organizers to consider more  ‘entertainment’ in the dressage field since it lacked both spectators and public appeal. To them, the musical freestyle seemed to perfectly fit that need.

The United States Dressage Federation and the Federation Equestre Internationale (FEI) met individually to decide on restrictions to set in place to protect the historical and classical nature of dressage in musical competition. Judging sheets were designed to include technical and creative scores. Freestyle riding forums were set up worldwide in order to publicly define acceptable performance movements and also to somewhat direct the quality of music expected. During the 1980’s, most freestyle riding refrained from extravagance with presentations almost exclusively relying on classical music. In addition, these original musical rides, constrained by rigid adherence to traditional movements, were only modestly artful in scope. Even so, dressage lovers were thrilled with the new classes. While spectators still yawned, the concept of dressage as a living, spontaneous “art form” was now dawning on its devotees. It gained even more momentum the moment it was finally allowed into the Olympic Ring in 1996.

With the new millennium came new riders with fresh ideas. New talent pushed toward the impossible in freestyle riding. No longer did Beethoven and Bach rule the freestyle ring. Hand-picked music picked up the beat with modern tunes. Daring riders heated up the competition through their innovative uses of mandatory movements. Overnight it seemed that empty bleachers became standing-room-only. The new phenomenon of the freestyle dressage class had commenced. Audiences cheered and applauded their favorites in the classes. Sponsors were elated. Judges were thrilled. Spectators left competitions with GPS directions to find the next up-coming freestyle event. Dressage became known as the ‘ballet of horseback riding’. Eager to keep competition classes fully attended, riders were generously rewarded in their scores.

However, some conservatives squirmed. The dark side of freestyle, so long ago feared, was beginning to emerge. Observers who set up alongside warm-up rings chronicled the use of controversial training methods bordering cruelty to defenseless mounts. Not only did Grand Prix riders lack common horsemanship, their brutality was heartily encouraged as the new, productive training method.

So-called ‘Roll-Kur’ technique seen in 2008 Olympic warm-up 

It was the shock wave that blackened the freestyle classes. In the 2008 Olympics the division widened between dressage camps as infuriated classicists revealed the barbarism of the new “Roll Kur”, a training technique that forced the horses to move briskly forward with their heads pulled into their chests, or all the way onto their knees. In addition, they pointed out that the  Individual Dressage Champion of the Olympic Games never performed the required full-stop at halt at any time during the test. Nor did its extravagant leg movement ever co-ordinate with the horse’s torso movement. The pressure of the bit in the horse’s mouth was so severe that it created a ‘blue-tongue’, proving lack of circulation, something never acceptable in correct dressage. It was demanded that the FEI, an organization long considered the protectorate of equestrian sports, meet to resolve the issue before the next Olympics. By the time of the 2012 Olympics,  stringent qualifications, ensuring that horses were more humanely prepared for show events, were put to the test. These corrections are still being evaluated and re-written to improve the public representation of classical dressage within both standard and freestyle Grand Prix classes. It is evident that the state of global dressage will always require keen scrutiny to maintain the classical principles. But the true highlight of the dressage freestyle is its breakout from the obscure timidity of its earlier days. It is finally acknowledged as a beautiful and accomplished art form. It has pranced forward to prove that both quality and musical entertainment are possible in the dressage industry.

Same horse in 2012 Olympics.Corrections to use of bit show a more classical ride

Learning the Riding Posture

Posted on July 1, 2018 by Jerrilee.
Categories: equipment, handicap, health, history, riding, therapy, training.

excerpt from Nancy Nicholson,Ph.d book titled: Biomechanical Riding & Dressage  (click on diagrams to enlarge)

Riding the Elastic “Ring”


Riders sit on top of the rib cage, which is an elastic structure by virtue of its connections with the spine and the amount of cartilage connecting it to the sternum. It is remarkable for several reasons:

1)     there are no floating ribs (connected just at the spine): ribs all are connected by cartilage at bottom of the trunk,
2) the horse’s center of mass is located within it,
3) it is adjustable in term of its “bounce response” or “tuned reaction” by means of neck and pelvis position acting via elastic ligament or tendinous tissues, and
4) the ribcage may act as a “spring-loaded” mediator of bend in the thoracic spine.

These features create a structure which might be compressed by the grounded leg (potential energy) and could immediately make it available to the airborne leg (kinetic energy). Presumably, a horse can adjust its spinal posture according to what it needs to do: stand, walk, trot, canter (maneuverable gait) or gallop like hell (optimal covering of ground). Millions of years of dealing with predators have honed equine conformation to be excellent for middle distance running: lead changes (change of bend to the rested diagonal pair) allow the other set of muscles to extend endurance, not to mention the ability to kick while moving. But we want to ride this animal. As La Guérinière has pointed out, we will not want to ride everything the horse can do! Adjustable bounciness is a key to understanding aids which a rider gives. It is simple to state what a rider may do: doing it is very difficult.

The Elastic Horse

Basically, a rider is able, by using lower body aids, to adjust the posture of the horse by positioning its spine so the rib cage is set up for each movement. Half halts are the name given to the aids by which a rider asks the horse to adjust his posture in order to control the joined centers of mass. As you can see from the second diagram below, these should should come mainly from the lower body, which is placed so that the rider may affect crucial muscles which “tune” the rib cage. If that were all we had to know about dressage, we could all go home after reading the above sentences. Because the postures a horse can achieve lie along a continuum, there are a huge number of positions possible. A rider must learn them by feel in order to give an appropriate half halt. That is why a ground person with sharp eyes and a sense of what is most important at a given moment is essential to give the rider feedback on what is functioning correctly. It is up to the rider to inform the ground person how the movement feels.

Quartermaster and Horse Keeper

Posted on June 12, 2018 by Jerrilee.
Categories: breed, equipment, handicap, health, history, military, therapy.
76th Brigade, 1917

76th Brigade, 1917

The land, or Army, Quartermaster Department is the unit responsible for organizing and distributing supplies to our troops. The availability and volume of materials they control provides the means for military operations. Its inception here in the United States was just before the Revolutionary War in 1775.  It became a powerful role in the equine development of our country. Our first Quartermaster General, prior to the breakout of war in 1776, was appointed by the Continental Congress whose members included two future presidents: George Washington and John Adams; it also included the business/philosopher Benjamin Franklin; and the famous freedom fighter,Governor Patrick Henry.  Their first appointee, General Thomas Mifflin, tried for nearly two years to run the new department but eventually became overwhelmed with the sheer enormity of the job, especially since the lack of supplies to provide, and roads to bring them to the troops, nearly lost the war more than once.  The first Quartermaster General resigned in 1777.
A  young Rhode Island Officer, Nathaniel Greene, was appointed his successor. Edward Payson writes of Maj. Gen Greene (in the 1950 Quartermaster Review): “Throughout the winter he [Greene] had vigorously protested against conditions in the Quartermaster General’s Department, particularly the shortage of forage for horses, hundreds of which, he pointed out, had starved to death. ”
Gifted with leadership and organization, Greene established a transportation system for stock and wagons, agents to examine and purchase animals and equipment, and multiple sites for forage depots in an effort to keep soldiers and animals from starvation while out in battle. The results had an immediate beneficial impact and strengthened our position in the war, earning the Officer some of George Washington’s highest praises.

Nathanael Greene

Nathanael Greene

The availability of horses during wartime was always a problem.  Equine casualties were grossly high, ranging into the multiples of thousands of dead horses. Because of this it was impossible to maintain enough mounts.  When regional supplies of horses available for purchase were exhausted, private horses would be seized for military use. During the Civil War, for example, the approach of Northern troops into a southern town meant raiding of the horse barns, as well as their food pantries. Many southerners used their crossbred horses for battle and left their valuable breeding horses at home. When these were seized, the bloodlines of some of our founding breeds were lost forever.
Eventually, the Quartermaster Division realized the need to establish their own equine division which would include their own breeding farms. This Division can easily be called the predecessors of the US horse industry. When the field quartermaster soldiers who had worked with both mules and horses, returned to the private sector they entered their communities with well honed horsemanship skills. They regenerated the field of horse services. Also the retired Calvary Officers left their posts to become competition judges and were a powerful influence on the core principles of horsemanship and horse husbandry, principles which are still widely practiced today. During peacetime the military equine division brought about mutual competitions, establishing  3-Day Eventing Competitions and eventually becoming international, which ultimately led to participation in the Equestrian Olympics.

Trimming the Hoof Bars

Posted on May 1, 2018 by Jerrilee.
Categories: equipment, handicap, health, hoofcare, therapy.

Natural hoof trimmer Linda Harris of  thehappyhoof youtube channel  explains the importance of the bars of the hoof, and the 3 V’s of natural balance.

In trimming the bars you are just getting what ever may be laid over the sole off of it, so that as the hoof wall grows past the sole so will the bars (instead of laying over towards the outside wall and growing sideways, covering the sole in the seat of the corn).  You do not want to dig the bars down past the sole. You do not want to reduce the bars to where any leverage on the heels will push them forward, because then your heels will also go forward. That whole area of the heel buttress is formed to try and hold the heels in place.

 

In this photo, the inside bar (pictured on right and not yet trimmed) is slightly laid over with a chunk laying on the seat of the corn of the sole. The outside bar (pictured left and just trimmed) shows you where the white line is.  As you’re trimming, keep in mind that your actions in the back also affect the front of the hoof. NEVER take off any of the back half of the foot without taking some of the front half, even though it may seem like the front half did not grow much, and here is why.

The front half of the hoof is where the main sole ridge is that protects and surrounds the coffin bone. That sole ridge will grow forward with the wall and get thicker and thicker and begin to raise the front of the foot as well as grow gradually forward. With some horses, the wall will grow out past that sole ridge and you automatically know to trim or cut it off. With others the sole ridge will just grow and thicken along with the wall and so you think your foot has not grown. This is even worse if the toe in general has been stretched forward and is at a low angle because it will “seem” like the wall hasn’t grown at all. This then eventually creates a situation where the sole ridge, that is supposed to be thickest at, and surrounding the rim of the coffin bone, is actually out in front of it. So then you have thick sole ridge not under the actual toe of the inner foot, (as it’s supposed to be). Therefore the inner foot itself is sitting behind the toe callous, on thin flat sole. This slowly drops the toe of the inner foot down low and closer to the ground.
This is one reason why we rocker the toes to try and thin that sole ridge which is out of place.  This allows the wall to grow down very tightly connected to the very end of the internal foot where it will once again connect with the sole in that area. It grows down to the ground and then RETAINS that sole ridge under the front perimeter of that internal foot where it’s supposed to be.

Now this picture looks pretty good, the walls are trimmed down and the bars are defined and fine.

In the end the final and ultimate goal is to get the walls to grow down without being leveraged so they will reconnect in the right spot at the very bottom of the internal foot with the sole that grows from the sole corium. From there they continue to the ground and contain that V under and around the V of the internal foot.

What are the three V’s of the hoof?

Problems occur when the 3 V’s disconnect from one another. The V shaped rim of the coffin bone and sole corium drop onto FLAT sole instead of being in the V shaped ridge of the Wall and Sole ridge.  Then you will get coffin bone remodeling, because you have a V sitting on a _ like so V . Our 3 V’s are these:

V   Coffin bone / which is hard but also a softer bone than the rest.

V   Sole corium attached to coffin bone / which is soft and padded full of blood.

V   Wall and sole ridge.

Now we can not undue whatever prior damage may have been done to the feet. BUT when the hoof capsule is as correctly grown and reconnected as close as possible in alignment with that internal foot, the body has a “chance” to heal itself, proving our bodies and the bodies of animals are in and of themselves wondrous things.

Sharpening Your Hoof Nippers

Posted on by Jerrilee.
Categories: equipment, handicap, health, history, hoofcare, therapy.

That trusty pair of nippers you depend on so often will gradually dull with use, until one day you realize that you’re having a tougher time trimming the hoof wall than you should. It’s best to sharpen those nippers before that day arrives. Exactly how you go about that will determine whether the nippers return to peak performance for an extended period or if they’re a big step closer to the trash bin.
“What destroys the most nippers is the way that horseshoers file them,” says Donald Jones. As an International Horseshoeing Hall Of Fame farrier and the owner of NC Tool Company, he ought to know. He’s used a lot of nippers over the years, and he routinely refurbishes the tools sent in by farriers across the country.  “A good sharpening that prolongs the life of the nippers isn’t difficult,” says Jones. “The secret to making the nippers cut well is to keep the shoulder area thin. Most people get their edges too blunt,” he says. “The actual front edge, the cutting edge, will feel sharp, but there’s so much metal back on the shoulder that it makes for resistance when you’re trying to cut the hoof.”

He offers the following advice for best results:
A. Secure the nippers horizontally, with the lower handle firmly in a vise. Pull the top handle upward to open the head of the nippers and expose the underside of the jaws.
B. Identify the area to be filed. Always file the underside, or inside, of the nipper jaws. Although a few strokes may be needed on the front cutting edge, most of the filing should run from the front edge through the back shoulder.
C. Use a two-handed grip on the file for long, flat strokes. Strive for a sharp cutting edge that runs smoothly back into the shoulder of the nippers without any sudden angles along the way. Repeat the process for the second side of the nipper jaws. Avoid damaging the corners of the jaws, which help pierce the hoof wall during trimming.
D. The stops down in the handles come together at the same time as the cutting edges to prevent the cutting surfaces from blunting one another or overlapping. If you take a bit of metal off the cutting edges when you sharpen them, then you have to take a little off the stops, too, so the cutting edges close correctly.

Even with proper sharpening, nippers eventually need professional resetting of the handles and tightening or replacing of the rivet. There are two reasons for this, Jones says:“One reason is that after adjusting the stoppers a few times as part of the sharpening, the handles start getting closer together. Send the tool to a professional when the handles become too close to use the nippers efficiently or comfortably. Another is that after nippers have been sharpened a few times, a gap appears between the cutting edges. The nippers should be sent to a professional for resetting. But you should be able to sharpen nippers several times before you need to send them off for reworking,” Jones says, “and then they’ll work as good as new.”
(article and photo from the American Farriers Journal)

Para-Equestrians=Equestrian Innovators

Posted on April 26, 2018 by Jerrilee.
Categories: handicap, health, history, riding, therapy, training.
Photo: FFE

Photo: FFE

Para-equestrians are other equestrians who ride and compete within the range of complex physical challenges. They have also established their participation in worldwide equestrian Paralympics, where they match their learned skills on their talented mounts with both the jumping and dressage competition. Riding Therapeutic schools have been highly successful in enabling individuals compromised physically from accident or birth. Workers at these facilities find deep rewards and endless ways to use their ingenuity as they adapt training and teaching methods to fit their special riders.  Riders who excel on horseback now have the opportunity to move forward into competition. The Para-Equestrian events were scheduled into the Kentucky 2010 FEI Games for the first time. These events began putting a new face on the world of horsemanship!  Para-equestrians were official events in the 2012 Olympics.    Nine countries – USA, The Netherlands, Brazil, Ireland, Italy, Belgium, South Africa, Australia and France – qualified their para- riders.

mike-richardson.jpg

Mike Richardson is a shining example of  para-equestrians as innovators at his Broken R Ranch . He brilliantly reinvented his place in on horseback after a tragic accident left him a paraplegic. Abandoning the traditional tack that no longer served his needs, he developed a saddle that kept him steady and in balance with the horse, enabling him to continue teaching and training at his ranch in Texas. Mike’s inspiring experiences are shared through his public appearances throughout the country.

Elie Wiesel, a holocaust survivor, wrote: “It takes a certain amount of confidence and courage to say; “I can do something. I can change this and make a difference.” Our fellow para-equestrians are daily living this change and making this difference.

 

Second Careers for Older Horses

Posted on April 2, 2018 by Jerrilee.
Categories: breed, therapy, training.
Author riding 25 year old Morgan Mare

Author riding 25 year old Morgan Mare

I once had an instructor who firmly believed that we don’t pick our horse, the horse chooses us. Whether that be true or false, purchasing or accepting the gift of a horse from someone is one of those decisions that compares with finding the right relationship, or the best job. First of all, it calls for a clear and honest evaluation of  both our intended use for the horse and of our goals, such as the strategies for training, if needed, and are we equal to that task. Ignoring this simple process has left many a hopeful horse owner with post-purchase blues.  Secondly, the number of horses rescued from squalor or brutality indicates the need for correct assessment, not just of our riding skills, but also our available funds and time to spend with our horse, and our ability to provide a clean, natural environment once we accept the horse as our own.

Every level of rider will find their equal level in a horse when it comes to matching talent for talent, skill for skill. Horses range to each extreme in temperaments and athletic ability. But one of our most valuable resources in the horse industry is the older horse.  These seasoned campaigners are one of the best catches for children, novice, handicapped, or elderly riders. The older, more traveled horses provide safe, predictable interaction for novices learning their way through the horse world. The slower pace of the beginner, whose focus is on position and saddle competence rather than on high level, show-quality performance, is an easier pace for the older horse. The elementary curriculum also provides a job for a functionally impaired horse, who may have arthritis or soft tissue weakness.  How often we discover that the new schedule gives old chronic injuries the time to heal, and our impaired horse is much sounder and healthier.  An extremely aged horse who can no longer be ridden can still live out its remaining years serving as a companion for foals, breeding mares, or convalescing horses.

Choosing a horse in its late teens or early twenties still offers many years of opportunity for a rider to continue to learn from their horse. I once had a friend who accepted the gift of a 26 year old horse and found it to be the perfect companion for an occasional ride. He had never ridden or owned a horse before but his horse carried him around the mountain trails of his home with ease and with perfect manners.  This same horse lived to be 31 and my friend still reminisces about the five years they spent together camping out in the mountains. But his happiest moments, he said, were those just spent hanging around the barn with a beer and his favorite horse buddy.

Mules;the other war horse

Posted on April 1, 2018 by Jerrilee.
Categories: breed, equipment, history, riding, therapy.

A post from “civilwartalk.com” in honor of the indomitable war-mule:

army mule

On the evening of October 28, 1863, during the Chattanooga campaign, Confederate troops under the command of General James Longstreet attacked the Federal forces of General John W. Geary. General Joseph Hooker had left Geary’s troops to guard the road along which ran the “Cracker Line,” the round-about route by which Union troops were forced to supply occupied Chattanooga. Although the fighting was disorganized and confused, it raged until 4:00 the following morning and ended in Confederate failure to break the Cracker Line.One of the more enduring and amusing stories to emerge from the Battle of Wauhatchie concerns a purported “charge” by a herd of Union mules, who broke loose from their skinners and dashed headlong into Confederate lines. In his account of the engagement, which appears in Battles and Leaders, overall Union commander Ulysses S. Grant claimed that Southern troops under General Evander Law mistook the runaway mules for a cavalry charge and fell back in confusion.This poem, an obvious parody on Alfred Lord Tennyson’s famous “Charge of the Light Brigade,” was probably composed shortly after the incident and gained widespread circulation.

Half a mile, half a mile, Half a mile onward, Right through the Georgia troops

Broke the two hundred.

“Forward the Mule Brigade! Charge for the Rebs,” they neighed. Straight for the Georgia troops, Broke the two hundred.

“Forward the Mule Brigade!” Was there a mule dismayed?

Not when their long ears felt All their ropes sundered.

Theirs not to make reply, Theirs not to reason why,

Theirs but to make Rebs fly.

On! to the Georgia troops, Broke the two hundred.

Mules to the right of them, Mules to the left of them, Mules behind them

Pawed, neighed, and thundered.  Breaking their own confines,

Breaking through Longstreet’s lines –  Into the Georgia troops,

Stormed the two hundred.

Wild all their eyes did glare, Whisked all their tails in air

Scattering the chivalry there, While all the world wondered.

Not a mule back bestraddled, Yet how they all skedaddled  —

Fled every Georgian, Unsabred, unsaddled, Scattered and sundered!

How they were routed there By the two hundred!

When can their glory fade? Oh, what a wild charge they made!                                                       All the world wondered.  Honor the charge they made!                                                      Honor the Mule Brigade, Long-eared two hundred!

Photograph, poem, courtesy of the Denver Public Library, Western Heritage Collection.

Twist vs Bend

Posted on March 23, 2018 by Jerrilee.
Categories: breed, riding, therapy, training.

from: Science of Motion. Author Jean Luc Cornille
Question- Chazot looks beautiful in both these pictures, but you said there was a problem with his position. Can you explain what is wrong and how to fix it?

-Question by Helyn

Jean Luc’s response:

Jean Luc Cornille training Chazot

Jean Luc Cornille training Chazot

Well, the problem starts at the first picture. I am asking him to bend the thoracic spine to the left. Chazot is not then optimally ready for such bending. He starts to bend left but does not really bend the thoracic spine. Instead, he is contracting the middle of the neck on the left side. The neck contraction is only the visible part of the iceberg. It is due to the fact that he is not properly coordinating lateral bending and transversal rotation. The neck contraction is barely apparent and the picture still looks good.

Meda by Science of Motion

Media by Science of Motion

The next frame shows the evolution of the wrong vertebral column’s coordination. Chazot could have corrected himself. Instead, he does increases the contraction of the middle of the neck and is now twisting the cervical vertebrae. This torsion is placing his nose to the right and is shifting is thoracic spine to the right. This torsion also disconnects the proper coordination of the main back muscles and Chazot is slightly extending the thoracic spine. His reactions demonstrate that he is not bending the thoracic spine properly. He is in fact combining lateral bending and inverted rotation. The solution is to go back straight on shoulder fore until proper lateral bending of the thoracic spine is recreated and then try again the shoulder in. This reaction exposes one of the major side effects of the outside rein concept. Quite often, acting on the outside rein does turn the horse’s nose toward the outside. This abnormality shifts the thoracic spine to the right and therefore shifts the weight on the outside shoulder. In such case, the outside rein is creating the problem that it is supposed to fix.

Due to the fact that feedback corrections are relatively slow, this series of event is happening too fast to be corrected through the usual process of feedback correction. The two frames are 100 of a second apart. The horse nervous system is using predictions, allowing it to deal with event occurring faster than the speed of normal feedback correction. Prediction means that the horse’s brain predicts the coordination for the upcoming effort. This equine neurological capacity underlines the inefficiency of an equitation based on correction and submission. Instead, clever riding is using the privilege of the human intelligence, which is the capacity to use past experience for better future. Instead of punishing the horse for the error, which is obsolete since the error is already in the past, the rider needs to register the error, analyzes it and use the information to better prepare the horse for the next strides.

See you in a few strides.

Jean Luc

 

equi-works

equi-works