BLM Mustang Serves Military

Posted on September 18, 2018 by Jerrilee.
Categories: breed, equipment, military.

1stfun
Lonesome on front left

His name was Marine Sgt. Trevor Johnson, a young Marine who was killed by a roadside bomb while serving in Afghanistan.
He was a fifth-generation boy from Montana who grew up riding horses, herding cattle and mending fences.
When the young soldier was laid to rest at Arlington National Cemetery in Virginia on a cold winter day, a symbol of the fallen soldier’s ranching roots helped to escort him there.

Lonesome, a horse donated to The Old Guard’s caisson platoon from the Montana Bureau of Land Management lead the caisson that carried Johnson’s casket.
Lonesome was born at a Bureau of Land Management (BLM) holding facility in Butte, Montana on Oct.12, 1995. As a young foal, he was freeze marked, a white identity mark that is clearly seen, today.
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Lonesome was originally adopted by Mark Sant, a BLM Archeologist. Sant soon learned that Lonesome was exceptional in many ways. He was smart, strong and had a great personality.

When Mark Sant heard the Old Guard was looking for large black mustangs for their Caisson Platoon, he could think of no greater honor than donating Lonesome to be a part of that prestigious team.
Lonesome, the stunning black mustang of the Caisson Platoon, has since participated in hundreds of funerals as well as the funeral for former President Ronald W. Reagan, and the 55th Inaugural Parade.
Lonesome has turned out to be a wonderful ambassador for the BLM’s Wild Horse and Burro Program as well as a beautiful, well-trained and loved member of the Third Army’s Caisson Platoon.
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How the horse came to assist in the interment ceremony for Marine Corps Sgt. Trevor J. Johnson at Arlington took some initiative by Mark Sant. Although he had never met Johnson, he wanted the Marine’s family to have a symbol of the state as they mourned the loss of a loved one so many, many miles from home.

Mark Sant e-mailed the office of Montana Gov. Brian Schweitzer to seek help finding Lonesome – the horse Sant had donated to the military several years ago.
An Aide for the Governor contacted the Montana National Guard, which in turn contacted the 3rd U.S. Infantry Regiment, or Old Guard, which assists in burial services at Arlington National Cemetery.
It’s not a request the Old Guard hears often, but one that was easy to oblige, said Major Steven Cole. “It’s stories like this that show the depths of care that all Americans have for their service men and women,” Cole said.
Cole further stated that to his knowledge, Lonesome is the only mustang from Montana.
article and photos from:Simply Marvelous Horse World

Mustang Training Methods of the Blackfoot

Posted on July 29, 2018 by Jerrilee.
Categories: breed, equipment, handicap, health, history, riding.

by Steve Lock

indian-boys.jpg

“Na notoas inik wa akana inewa”  or translated: “My horse has killed many buffalo.”
The Blackfoot hunter who could speak such words had both wealth and power because a good buffalo horse was highly valued by the Native Americans of the Great Plains. The buffalo horse helped a man provide his family with more than just food. It also carried him into battle and bore him in honor during tribal parades. A well-trained buffalo horse was just as appreciated as a well-trained event, dressage, roping, or cutting horse of today.Initially, the tribesmen had to be taught the skills required to train their horses. Their teachers were usually the people they received the horses from, and it was mostly in this way that training methods were passed from tribe to tribe. Little has been written about actual horse training among the plains tribes, but the methods of the Blackfoot are well documented by John C. Ewers in his book The Horse In Blackfoot Culture. Even though, for our purposes, we are looking at the training methods used by the Blackfoot, other plains tribes are known to have used similar methods.

To begin, the Blackfoot started training the horses turning two to three years old. Young men trained their own horses, but elderly people often used the teenage boys within the family to train their horses. Blackfoot boys and girls rode well by the time they were six or seven years of age, but an actual training career for a boy could begin between twelve and sixteen years old, depending on how quickly he obtained his skills.  Mustangs were halter trained at first, then riding training commenced using a few different methods. Before beginning actual training, the trainer and his assistants caught and restrained the horse prior to placing a bridle in its mouth. The bridle the Blackfoot used was made from rawhide, or from hair taken from the forehead and forelegs of the buffalo. The material used was braided into a light rope sixteen to thirty feet long. The bridle was formed from this length of rope by tying a loop in one end of the rope, creating the end of one rein. From the loop, the rope ran along the neck of the horse to the mouth. Once at the mouth, the rope was tied in two or three half hitches depending on the severity required, placed around the horse’s lower jaw, and tightened. From there, the rope continued along the opposite side of the neck making a second rein, which then passed through the loop at the beginning of the first rein. The excess rope was folded, tucked under the rider’s belt, and used to keep possession of the animal if the rider was unseated. This type of bridle could also be quickly transformed into a halter.

Training Methods

One training method used required a surcingle. Once the bridle was in place the rider mounted, passing a long band of rawhide under the horse’s belly as he did. Bringing the ends of the band up along the sides of the horse, he enclosed his knees and lower legs within the band and tied the ends in front of him. By exerting an outward pressure with his knees, the rider was able to make his seat more secure. The assistants released the horse, which was ridden until it tired. This procedure was repeated daily until no longer necessary.
Another training method was to use the pad saddle. As in any horse culture, saddle making was a specialized craft. Among the Blackfoot, women made the saddles. Saddles were considered valuable pieces of equipment, and women who were skilled saddle makers could use these saddles for trading purposes. The pad saddle was made from two pieces of soft skin cut in an hourglass type of shape, and placed on top of the other. Two rawhide lines were stitched down the center, spaced so they formed a gullet between them. The edges were sewn with sinew and then it was stuffed with deer of buffalo hair. There were D-shaped tabs on the sides for a rawhide girth and stirrup leathers.

For training purposes the pad saddle was placed forward, probably as far as the withers. The rider sat behind the saddle and held on to it for security while the horse tried to unseat him. Both the surcingle and the pad saddle method of training required an experienced rider, and were usually used when more preferred methods were not available.
The oldest and most common ways of training were the water and boggy ground methods. Using the water method, two people rode double on a trained horse and lead an untrained one into a stream, or pond, until it was up to its shoulders in water. The rider of the trained horse then held the untrained one steady while the person riding behind him jumped onto its back. One session of thrashing about in deep water was usually enough for most horses. They tired quickly, and could then be ridden to shore. After this, the horse was ridden bareback until ready for a saddle. Swampy or muddy ground was used in the same manner as water – the object being to bog the horse down. These latter two methods were especially good for people inexperienced in horse training. They were easier, and the rider was less likely to be injured if thrown. Once a horse was trained to be ridden, it may then be selected for further training as a hunting and warhorse, racehorse, or draft horse.

The choosing of a horse to be trained for hunting and war was not taken lightly. This would be a man’s best and most valuable mount. Since it helped him obtain food and raw materials for clothing and utensils, it was also an important animal to his family. Not just any animal could be trained for hunting and warfare. A buffalo can run nearly as fast as a horse, so a desirable mount had to be able to run at speed for some distance. Buffalo can also wheel about and turn very quickly, so a horse had to be agile and respond immediately to its rider’s direction. The uneven ground it sped across made it important that a horse be sure of foot. One other important quality was courage, because the horse had to be able to run among animals it naturally feared.

Young boys between ten and fourteen years old were the first to expose young horses to hunting. After the adult hunters started a buffalo herd running, the calves would soon fall behind. When that happened the boys gave chase on their young horses, shooting arrows at the calves. In this manner, the horses started becoming accustomed to chasing buffalo. Whether a horse could overcome its fear, only time and the hunt would tell. The buffalo horse had no small bill to fill.
While some mares were used, most horses chosen for buffalo hunting were geldings. The horse had to have shown itself to be fast and intelligent. Usually a four-year-old was preferred. Hunting and war horses were trained to a high degree, responding to leg aids and shifting of the rider’s weight. This allowed the rider to keep his hands free to use his weapons. Once a horse responded well to its rider’s direction, it was taken on the hunt. Using his whip, and much patience, the hunter taught his horse to move in alongside a buffalo, hold steady while he fired an arrow, and then move away to avoid the animal falling or attacking. It commonly took three arrows to bring down a buffalo, so handling this maneuver at speed was important. A good buffalo horse would act with minimal direction from its rider.
The Lewis and Clark Expedition documented the skill of these buffalo horses. While driving horses they had obtained from a friendly tribe, the party encountered a herd of buffalo. Upon seeing the buffalo, the horses “immediately set off in pursuit of them, and surrounded the herd with almost as much skill as their riders could have done.”
The buffalo horse also served as a warhorse because the same qualities were needed. For its duties as a charger, the horse was trained to allow the rider to hang from its side while it ran, to carry two people at a time, and to stay close to its dismounted rider. To teach the horse to stay near its rider, the trainer placed a rope around the horse’s neck, mounted, urged it into a run, and then stopped quickly and jumped off. When the horse tried to move away, the rider forcefully jerked on the rope. Survival in battle made it essential that warhorses remain near their riders. The buffalo/warhorse was indeed a valuable animal. The only horse the Blackfoot held in more esteem was a winning racehorse. A winning racehorse brought pride to the entire tribe, and enriched those who were smart, or lucky enough, to bet on it.

To transport children and others who could not walk or ride, a sled was used. This sled is commonly referred to by its French name, the travois. For travois pulling, larger mares over four years old and of gentle disposition were preferred. The travois was made in an A-frame shape using two long poles with a platform for the cross piece, and was drug by the horse. It was not originally developed for the horse, but was adapted from its use on dogs. Tipi lodge poles were also drug by the travois horse. These were tied in bundles, and attached to both sides of a horse. Household goods were more commonly carried on a makeshift platform attached to the lodge pole bundles rather than on a travois.

One way horses were trained to pull the travois was to first place a rawhide rope around the base of the horse’s neck. Next, a length of rope was tied to each side of the piece around the neck, and extended behind the horse where they were attached to a dry buffalo hide. The hide had to be tied far enough behind that the horse could not kick it, or more importantly, the boys riding on it to provide weight. Another way to accustom a horse to pulling was to have it drag two wooden poles, which crossed near its head. Whichever method was used, it was repeated until the horse became used to the weight and pulled quietly. Then it was ready to pull the real travois, or lodge poles. An unloaded travois weighed around fifty pounds, and the average load a horse pulled was 250 to 300 pounds.
The European method of mounting horses from the left had a practical design at one time, related to when men carried swords. The Blackfoot method of mounting a horse, while differing from that of Europeans, had a practical design also. Their method related to whether a person was left or right handed. They claimed it felt more natural to mount from the side of the hand the rider used most. If a person was right-handed, that meant grabbing some mane in the right hand, placing the left hand on the horses back, and then swinging up onto the horse. If you should wish to try this at home and find it difficult – remember their horses’ height averaged around fourteen hands. A sixteen or seventeen-hand horse will present a bit of a challenge. You may end up with a face full of shoulder.

Women rode astride, wearing long, loose skirts that facilitated easy movement, and covered their legs while riding. They usually used a wooden saddle. The pommel and cantle were of equal height – about ten to twelve inches. They were set into two sideboards that served as the panels. The entire frame was covered with buffalo rawhide. Soft skin stuffed with grass was used under the panels to protect the horse’s back. When a woman mounted, she put one foot the stirrup and pushed the opposite leg between the pommel and cantle; they were too high to swing a leg over. Imagine mounting a western saddle with two horns about a foot high!

To start a horse moving, the Blackfoot made the sound “sh” several times, while leaving the reins loose. To slow or stop, the command “ka” was said while pulling back on the reins. This latter command was also used to quiet horses while dismounted, especially in dangerous situations. No voice commands were used in turning, which was accomplished by using an open rein in the desired direction of travel. The better trained horses would turn in response to knee pressure on the opposite side, or by the rider shifting his weight in the direction of the turn. The horse would continue to turn until the rider’s weight was centered again.

In training and using horses, Native Americans took some of the European’s methods and adapted them to their way of life. The use of a wood-frame saddle covered with hide, the use of stirrups, the whip, the lariat, and the practice of gelding were among the things borrowed from Europeans, mainly the Spaniards. The horse owning tribes did not generally adopt the use of spurs, a bridle with a metal bit, or the practice of branding as a means of identifying their horses.

Compared to the overall history of Native Americans, the horse era covered a relatively short period of time, but they quickly learned to use these animals. The generations that grew up with the horse produced excellent riders, and the horse became an inextricable part of their lives. They undoubtedly experienced the same joys and frustrations of horse training that we do. That they were successful can be seen from the colorful accounts of their expert horsemanship written by Europeans and others who encountered the horse owning tribes. Success to the trainer of a buffalo horse meant meat in people’s bellies, clothes on their backs, and shelter over their heads. That was why it was important for a hunter to be able to say, “Na notoas inikwa akana inewa.”

“My horse has killed many buffalo.”

photo from engraving by William Cary, 1874

Horses and Plains Indians; R.E. Moore

Posted on July 22, 2018 by Jerrilee.
Categories: breed, equipment, history, riding, training.
scene from movie: Dances With Woves

scene from movie: Dances With Woves

The Indians got their first horses from the Spanish. When the Spanish explorers Coronado and DeSoto came into America they brought horses with them. This was in the year of 1540. Some horses got away and went wild. But, the Indians did not seem to have done much with these wild horses. They did not start to ride or use horses until much later.

In the 1600s there were a lot of Spanish missions and settlers in New Mexico just to the west of Texas. This is where the Pueblo and Navaho Indians live. The Spanish in New Mexico used Indians as slaves and workers. These Indian slaves and workers learned about horses working on the Spanish ranches. The Spanish had a law that made it a crime for an Indian to own a horse or a gun. Still these Indians learned how to train a horse and they learned how to ride a horse. They also learned how to use horses to carry packs.

In the year of 1680 the Pueblo Indians revolted against the Spanish and drove the Spanish out of their land and back down into Old Mexico. The Spanish were forced to leave so fast they left behind many horses. The Pueblo Indians took these horses and used them. The Spanish did not come back until the year of 1694. While the Spanish were gone the Pueblo Indians raised large herds of horses. They began selling and trading them to other Indians such as the Kiowa and Comanche. The Pueblo Indians also taught the other Indian tribes how to ride and how to raise horses.

Horses spread across the Southern Plains pretty quickly. French traders reported that the Cheyenne Indians in Kansas got their first horses in the year of 1745. Horses changed life for the plains Indians.
To read more of our guest article click :  R.E.Moore

Music of the Peers

Posted on July 12, 2018 by Jerrilee.
Categories: breed, history, riding, therapy, training.
USEF photo of Stefen Peters & Ravel (2012 Olympic Freestyle)

The dressage industry was one of the last disciplines to add the element of music to competition. The freestyle ride was long debated and denied as a performance class mostly because performance judges feared the option given to riders to create their own programs would initiate a trend toward circus-like presentations. In their opinion, over a period of years, the aberration of dressage movements could leave the classical principles of dressage in the shadows of  history. In the 1970’s, however, came a more immediate threat for the dressage industry: the financial burden of its horse events. Rising costs of stabling, insurance, maintenance of the ring footing, required such an excess of cash that the backing of corporate sponsors was essential. As they came on board, these sponsors began to encourage show organizers to consider more  ‘entertainment’ in the dressage field since it lacked both spectators and public appeal. To them, the musical freestyle seemed to perfectly fit that need.

The United States Dressage Federation and the Federation Equestre Internationale (FEI) met individually to decide on restrictions to set in place to protect the historical and classical nature of dressage in musical competition. Judging sheets were designed to include technical and creative scores. Freestyle riding forums were set up worldwide in order to publicly define acceptable performance movements and also to somewhat direct the quality of music expected. During the 1980’s, most freestyle riding refrained from extravagance with presentations almost exclusively relying on classical music. In addition, these original musical rides, constrained by rigid adherence to traditional movements, were only modestly artful in scope. Even so, dressage lovers were thrilled with the new classes. While spectators still yawned, the concept of dressage as a living, spontaneous “art form” was now dawning on its devotees. It gained even more momentum the moment it was finally allowed into the Olympic Ring in 1996.

With the new millennium came new riders with fresh ideas. New talent pushed toward the impossible in freestyle riding. No longer did Beethoven and Bach rule the freestyle ring. Hand-picked music picked up the beat with modern tunes. Daring riders heated up the competition through their innovative uses of mandatory movements. Overnight it seemed that empty bleachers became standing-room-only. The new phenomenon of the freestyle dressage class had commenced. Audiences cheered and applauded their favorites in the classes. Sponsors were elated. Judges were thrilled. Spectators left competitions with GPS directions to find the next up-coming freestyle event. Dressage became known as the ‘ballet of horseback riding’. Eager to keep competition classes fully attended, riders were generously rewarded in their scores.

However, some conservatives squirmed. The dark side of freestyle, so long ago feared, was beginning to emerge. Observers who set up alongside warm-up rings chronicled the use of controversial training methods bordering cruelty to defenseless mounts. Not only did Grand Prix riders lack common horsemanship, their brutality was heartily encouraged as the new, productive training method.

So-called ‘Roll-Kur’ technique seen in 2008 Olympic warm-up 

It was the shock wave that blackened the freestyle classes. In the 2008 Olympics the division widened between dressage camps as infuriated classicists revealed the barbarism of the new “Roll Kur”, a training technique that forced the horses to move briskly forward with their heads pulled into their chests, or all the way onto their knees. In addition, they pointed out that the  Individual Dressage Champion of the Olympic Games never performed the required full-stop at halt at any time during the test. Nor did its extravagant leg movement ever co-ordinate with the horse’s torso movement. The pressure of the bit in the horse’s mouth was so severe that it created a ‘blue-tongue’, proving lack of circulation, something never acceptable in correct dressage. It was demanded that the FEI, an organization long considered the protectorate of equestrian sports, meet to resolve the issue before the next Olympics. By the time of the 2012 Olympics,  stringent qualifications, ensuring that horses were more humanely prepared for show events, were put to the test. These corrections are still being evaluated and re-written to improve the public representation of classical dressage within both standard and freestyle Grand Prix classes. It is evident that the state of global dressage will always require keen scrutiny to maintain the classical principles. But the true highlight of the dressage freestyle is its breakout from the obscure timidity of its earlier days. It is finally acknowledged as a beautiful and accomplished art form. It has pranced forward to prove that both quality and musical entertainment are possible in the dressage industry.

Same horse in 2012 Olympics.Corrections to use of bit show a more classical ride

June 25,1876;The Horse who Survived

Posted on June 25, 2018 by Jerrilee.
Categories: breed, equipment, history, riding.

by Diana Linkous
comanche-horse

photo: US Calvary;Comanche the war horse, after a battle in 1870

Comanche, a famous war horse, born June 25, 1861, fifteen years to the very day before the battle of “The Little Big Horn”, was a 15 hand bay gelding, thought to be part mustang and part Morgan. He was bought by the U.S. Army in 1868 in St. Louis, and sent to Fort Leavenworth, Kansas. A handsome looking horse, he was purchased by Captain Myles Keogh  for $90 to be used as his personal mount.  In the fall of 1868, his unit fought the Comanche tribe in Kansas. During the battle the horse was wounded. Unaware, Captain Keogh continued to fight from his back until the battle was over. Afterward, he discovered an arrow broken off in the horse’s hindquarters. As a tribute, he earned the name Comanche for his bravery in continuing to carry his master despite his own pain.

In 1870 during a battle again against the Comanche tribe, the war horse was wounded in the leg. He was lame for over a month this time, but finally recovered. Then, in 1871, Comanche was wounded in battle once more, this time in his shoulder.   The cavalry was very proud of this brave horse who  recovered quickly, then bravely returned to battle despite being wounded so many times.

On June 25, 1876, Captain Keogh rode Comanche into the valley of the Little Big Horn and the battle known as Custer’s Last Stand. This time they were fighting the Soux and Cheyenne tribes, and it was the last great battle for the Native Americans. They defeated the 7th cavalry and killed every soldier. The only member of the 7th cavalry left alive after the battle was Comanche.  Comanche was found two days after the battle with many wounds, and was very weak and barely able to stand. He was taken in a steam boat to Fort Lincoln, where he was so weak he had to be supported by a sling. He was nursed back to health, once again recovering from his battle wounds.

Comanche was officially retired and it was ordered that no one would ever ride him again. His faithful groom, Gustav Korn,  seen in most photos holding the horse, stayed with him. Comanche was given the title  “the Second Commanding Officer” of the 7th Cavalry, and his only duties were to be led in the front of official parades occasionally. In December, 1890,  Gustav was called back to duty for the battle at Wounded Knee.   He was fatally wounded.  Comanche had lost his faithful friend. On November 7, 1891, downhearted from waiting for  Gustav’s return, Comanche passed away. His body was mounted and put on display at the University of Kansas, where it stands to this day.

A reader’s comment: Captain Miles Keogh was an Irish mercenary. Early in his career he had served as part of the Pope’s private Vatican Army. He was awarded a medal, that he always wore on a chain around his neck. When the Cheyenne killed him on the Little Big Horn, they discovered the medal. Recognizing it as a religious device, they left his corpse alone. His was the only 7th Cavalry KIA whose body was not mutilated. During the US Civil War Captain Keogh served on the staff of the great cavalry officer, Brigadier General John Buford (1st Cavalry Division). They intercepted the leading elements of Robert E. Lees Army of Northern Virginia in front of Gettysburg on June 30, 1863 and held them up until the rest of the Federals could arrive on the field. Hence, they were instrumental in the Union victory in that important battle. Captain Miles Keogh introduced the famous cavalry canter song “Garry Owen” to the 7th Cavalry Regiment. It remains so to this day, and the slogan and greeting among members of the 7th is “Garry Owen.” It is a very stirring tune. Aloha, Mark Mallory.

Quartermaster and Horse Keeper

Posted on June 12, 2018 by Jerrilee.
Categories: breed, equipment, handicap, health, history, military, therapy.
76th Brigade, 1917

76th Brigade, 1917

The land, or Army, Quartermaster Department is the unit responsible for organizing and distributing supplies to our troops. The availability and volume of materials they control provides the means for military operations. Its inception here in the United States was just before the Revolutionary War in 1775.  It became a powerful role in the equine development of our country. Our first Quartermaster General, prior to the breakout of war in 1776, was appointed by the Continental Congress whose members included two future presidents: George Washington and John Adams; it also included the business/philosopher Benjamin Franklin; and the famous freedom fighter,Governor Patrick Henry.  Their first appointee, General Thomas Mifflin, tried for nearly two years to run the new department but eventually became overwhelmed with the sheer enormity of the job, especially since the lack of supplies to provide, and roads to bring them to the troops, nearly lost the war more than once.  The first Quartermaster General resigned in 1777.
A  young Rhode Island Officer, Nathaniel Greene, was appointed his successor. Edward Payson writes of Maj. Gen Greene (in the 1950 Quartermaster Review): “Throughout the winter he [Greene] had vigorously protested against conditions in the Quartermaster General’s Department, particularly the shortage of forage for horses, hundreds of which, he pointed out, had starved to death. ”
Gifted with leadership and organization, Greene established a transportation system for stock and wagons, agents to examine and purchase animals and equipment, and multiple sites for forage depots in an effort to keep soldiers and animals from starvation while out in battle. The results had an immediate beneficial impact and strengthened our position in the war, earning the Officer some of George Washington’s highest praises.

Nathanael Greene

Nathanael Greene

The availability of horses during wartime was always a problem.  Equine casualties were grossly high, ranging into the multiples of thousands of dead horses. Because of this it was impossible to maintain enough mounts.  When regional supplies of horses available for purchase were exhausted, private horses would be seized for military use. During the Civil War, for example, the approach of Northern troops into a southern town meant raiding of the horse barns, as well as their food pantries. Many southerners used their crossbred horses for battle and left their valuable breeding horses at home. When these were seized, the bloodlines of some of our founding breeds were lost forever.
Eventually, the Quartermaster Division realized the need to establish their own equine division which would include their own breeding farms. This Division can easily be called the predecessors of the US horse industry. When the field quartermaster soldiers who had worked with both mules and horses, returned to the private sector they entered their communities with well honed horsemanship skills. They regenerated the field of horse services. Also the retired Calvary Officers left their posts to become competition judges and were a powerful influence on the core principles of horsemanship and horse husbandry, principles which are still widely practiced today. During peacetime the military equine division brought about mutual competitions, establishing  3-Day Eventing Competitions and eventually becoming international, which ultimately led to participation in the Equestrian Olympics.

The Movie Horse

Posted on June 7, 2018 by Jerrilee.
Categories: breed, equipment, health, history.

During the heyday of films that featured horses, a sub-industry evolved to supply horses for movies. One of the major horse suppliers, along with providing stagecoaches, wagons, and other equipment, was Randall Ranch in Newhall, Calif. The owner of the ranch was Glenn Randall Sr., the man who trained Trigger for Roy Rogers’ personal appearances.     Assisting him were sons Glenn Jr. (J.R.) and Buford (Corky) Randall. In 2006,  Corky Randall, 75 , and trainer of The Black Stallion, remembered those early days on the movie sets and the harsh treatment of horses in the industry.

Roy Rogers and his horse Trigger   Roy Rogers and his horse Trigger

 

During early film making, horses were often were considered disposable products. If a horse was injured or killed during a particular sequence, another replaced it. If the script called for a horse to go crashing to the earth, trip wires sent it sprawling. Sometimes legs were broken in the process. Scenes where horses were driven off of the cliff to their death were tragically true to life as horses were forced off of cliffs to their death.  The major turning point came in 1939 when Jesse James was filmed, says Wheatley. The movie starred Tyrone Power as Jesse James and Henry Fonda as Frank James. In one of the scenes, a posse is in hot pursuit of Frank James. To escape them, he and the horse plunge over a cliff and into the river. The next scene shows Fonda and the horse swimming to safety in the river.  Unfortunately, it wasn’t that simple. The horse used in the scene lost its life. For the scene, says Wheatley, the horse was placed on a slippery platform called a tilt chute. At a key moment, the chute tilted and the horse went over the cliff into the water and was killed.  The on scene crew objected and told the story. Public outrage forced the Motion Picture Association of America (MPAA) to take action. As a first step, MPAA gave the AHA legal rights to set guidelines and oversee the treatment of animals on movie sets, and eventually television programs.

Tragic death scene in Jesse James 1939 movie

Tragic death scene in Jesse James 1939 movie

There was something of a hiatus in the humane treatment of animals on production sets from 1966 until 1980. In fact,  AHA safety representatives weren’t even allowed on sets. Animals were frequently overworked and kept in unsafe environments, and the trip wires were once again used.

“Those were the dark days for horses in movies,” says Karen Rosa, director of the AHA Film and TV Unit in Los Angeles, Calif.  Then, says Rosa, the death of another horse during the filming of Heaven’s Gate spurred reform. In the film, the script called for a saddle to be blown off a horse’s back, says Rosa. Explosives apparently were used, she said, and when they went off, the horse was so severely injured that it had to be euthanized.  The Screen Actors Guild, whose members were distressed by what had occurred, stepped up to the plate by insisting on restoring the AHA’s power. In 1980, the MPAA granted the AHA sole authority to protect animals used in film and television through a contract with the Screen Actors Guild.

The result of the new protection for the equine stars is the careful preparation for horses for the roles they are chosen to play. Jack Lilley is the owner of Movin On Livestock, a motion picture barn who supplies animals for TV and film. Hired to oversee the equine handling on movies like the upcoming Magnificent Seven, Lilley ensures Hollywood’s horses are kept safe and happy. This requires patience, training, and selecting the right animals in the first place.  As with humans, not just any horse is cut out to be a star. Before a horse can even gallop on set they need to be vetted for their disposition. If a horse is too skittish, or “looky” as Lilley describes them, they might not be a great choice to bring to a bustling movie set full of flashing lights, loud noises, and frantic people. “We don’t want any of them prancing or high-powered horses,” says Lilley. “We want that type that you could put [your kids] on, and say, ‘Ride him home.’” It’s important that a movie horse isn’t startled or spooked easily, both for the safety of the riders and the animals. “All in all, the American Quarter Horse is the best. They’ve got the best disposition and nothing bothers them.” Lilley’s ranch gets a new horse around the age of five and up, and often from traditional ranches. Cowboys—real ones, not movie ones—will slowly ride the horses around a set with the lights and production pieces in place to familiarize them with the noise and action. “I like to start them on a big street scene,” says Lilley. “Pretty soon they see that nothing’s going to bother them.” Ideally they’ll acclimate to the madness of a movie set to the point of being shockingly docile. “[The ideal horse is one that] you could fall all over. If you were doing a fight, you could roll under his belly and he wouldn’t try to step on you,” says Lilley.

Pawnee Actor with horse in "Hell On Wheels" series

Pawnee Actor with horse in “Hell On Wheels” series

references: ‘The Hollywood Horse’ from: the horse.com ; Behind the Scenes with Horses from Hollywood: Atlas Obscura.com

 

 

Equi-Trivia Quiz!

Posted on May 19, 2018 by Jerrilee.
Categories: breed, history, riding.

trivia3

If you pride yourself on horse trivia then take this quiz.

Rate your obsession!  Tally your results then go to the answer page.

Find out: Do you know a little about horses or are you a confirmed addict!

Horse Quiz:

1. Which of these said:   “I’m a stallion, baby! I can whinney!”

A. Eeyore

B. Donkey from Shrek

C. Mr. Ed

2. Made famous by their well known movie trilogies,which character did not use a horse for a quick escape?

A. Marty McFly

B. Frodo

C. Indiana Jones

3. Can you select the toy from the ‘breeds’?

A. Fallabella

B. Breyer

C. Paint

4.   Harry Potter did not ride one of these horse creatures:

A. Unicorn

B. Centaur

C. Thestral

5.   Anna Sewell wrote this book:

A. Black Stallion

B. Starlight

C. Black Beauty

6. Which t.v. star and horse pair is incorrect?

A. Roy Rogers and Trigger

B. Wilbur and Mr Ed

C. Lone Ranger and Tonto

7.  Do you know which of these is not a young horse?

A. Pony

B. Foal

C. Colt

8.  The early ancestor to the modern day horse was called:

A.  Protohippus

B. Equiworkus

C. Eohippus

How did you do? Check your tally results;  click     here

Doma Vaquera Equitation

Posted on May 5, 2018 by Jerrilee.
Categories: breed, history, riding, training.

doma_vaquera.jpgby Jerrilee Streeter

Doma Vaquera is a Spanish phrase that defines the individuals in Spain who work with the cattle and bulls on the ranches and out on the hillsides. The doma vaquera is a person who has a special manner, or style, in which they dress. There is special riding tack , and a unique, individual way in which their horses are taught and ridden that distinguishes them from other riding disciplines. In Spain, some Doma Vaquera still go into the bullring to challenge the bull and still others demonstrate their skillful riding as they guide their horse in their work among the cattle. Included with the regular gear that a doma vaquero works with is the use of a garrocha. The garrocha is a long wooden pole used as an extension of the doma vaquera’s arm to activate, push, and guide cattle along the hillsides. In countries outside of Spain, the Doma Vaquera has evolved into a riding discipline that simulates the pattern work and movements of a working bullfighter mount. The rider still wears the traditional outfit and saddles the horse with the traditional gear to practice a combination of lateral jumps, sudden stops, and pirouettes which are used by today’s working doma vaqueras. There are even riding competitions where participants can show their horse’s special abilities in performing the patterns and movements of the doma vaquero horse. This includes the garrocha which, when used in the competition arena, can be an artful, breathtaking performance, especially when the rider works through the maneuvers without the use of the reins. A demonstration of this can be viewed on the La Garrocha . (To preserve the purity of the performance the link has been kept in its original Spanish format.Click video to begin)  Doma Vaquero will show an public demonstration.

for riding demo.

The First Cowboys; the Vaquero

Posted on May 4, 2018 by Jerrilee.
Categories: breed, history, riding, training.

The Vaquero vaquero.jpg

The Vaquero, or Mexican cattle herder, came from Mexico in the 1800’s and eventually became employees of the cattle and horse ranches that developed in the southwest.  Two parts of the southwest were predominantly Vaquero namely, Texas and  California. In these states the parents of many vaqueros  raised their families on the ranch where they worked, and as their children became Vaqueros and married, they too raised their families there. The beef industry was a powerful market, rising to its peak in the nineteenth century. The daily duties for a vaquero required long hours of strenuous livestock management, seeing to the transportation of cattle which they drove through rugged, raw territories to the markets where they were sold and shipped. The vaquero was also responsible for the breeding, branding, and safety of all the cows and horses on the ranch as well as the maintenance of the fencing and stabling. Although the western United States was still Mexican territory during this time, the ranchers carried a lot of influence since they were the providers of the food and the mounts for the Mexican Calvary, and eventually the US Calvary.

‘Most vaqueros were men of mestizo and Native American origin while most of the hacendados (ranch owners) were ethnically Spanish. Mexican traditions spread both South and North, influencing equestrian traditions from Argentina to Canada.  As English-speaking traders and settlers expanded westward, English and Spanish traditions, language and culture merged to some degree. Before the Mexican-American War in 1848, New England merchants who traveled by ship to California encountered both hacendados and vaqueros, trading manufactured goods for the hides and tallow produced from vast cattle ranches. American traders along what later became known as the Santa Fe Trail had similar contacts with vaquero life. Starting with these early encounters, the lifestyle and language of the vaquero began a transformation which merged with English cultural traditions and produced what became known in American culture as the “cowboy”. ‘ (J.Malone, p 3)

As eastern and mid-western settlers began their migration into the western territories they watched and learned the vaquero methods of cattle ranching. They adopted these methods when establishing their own ranches. When the western territories became adopted into the United States, many vaqueros stayed on to work for smaller ranches since many of the elaborate Mexican ranches were dissolved and their territories divided.
For a rare opportunity to learn more about the history of the Vaquero from someone who had personal experience, read Jesse Wilkinson’s site:   Vaquero.

equi-works

equi-works