by Jerri Streeter 
At the turn of the 19th century remote agrarian districts were just replacing their oxen for draft horses making horsemanship skills a valuable commodity. In particular, in the rugged hills of northern Scotland, anyone who could train these massive, stubborn animals could earn a good wage. Seeing this potential, a group of horsemen in Scotland formed a group called The Society of the Horseman’s Word which was based on the order of the Freemasonry. They set fees and boasted supernatural powers that made their members ‘gifted’ over and above the traditional horse trainers. Exclusively for anyone in the horse trade, all blacksmiths, horse tamers and dealers, were invited to join. As a member of the Word, these individuals could learn special incantations and rituals said to be imbued with magic that controlled wild, or vicious horses. Farmers called these club members the ‘horse-witches’ after the way they circled the horse with enchanted objects and whispered chants that were supposed to bring out good temperament and hard work from the horse. Eventually the phrase ‘horse-witch’ became ‘horse whisperer’, reflecting the way the men whispered to the horses. Thus the phrase “Horse Whisperer” became an official title and an accepted method of horse training. The popularity of the Society of the Horseman’s Word spread throughout Scotland and into parts of England, and eventually moved off the continent. It began to wane at the turn of the 20th century and had mostly dissolved by the 1930’s as the automobile and tractor began to dominate farm work.
But horse whispering appears in differing forms throughout the ages. For instance, during the mid 1600’s, a young Neapolitan called Pietro, encountered a wild barb horse named Mauraco and wanted to tame him. He decided to win the horse ’s confidence through a friendly, rewards incentive approach. Although he did not use a bridle or saddle on Mauraco, Pietro trained the horse to be ridden or do tricks by watching and obeying the movements of his teacher’s hand. It was not long before Mauraco began accepting any command Pietro gave him and the two began traveling the European continent giving exhibitions. Some of the public favorites in the performances were watching Mauraco sit, kneel, lie down, jump through a series of two and three hoops, and even take a glove from Pietro to someone he pointed out in the audience. Bystanders were amazed at the performance of the brilliant horse controlled only by the voice and hand of its master. The point of the show was to demonstrate how kindness, not cruelty, won the horse’s respect. But not everyone was amused. When Pietro and Mauraco performed in the city of Arles, France, his show terrified the townspeople. Watching him control his horse with the wave of a hand and a whisper in the ear was not training to them, but ‘black magic’. Pietro was not a hero, but an evil sorcerer, and his horse was accused of being possessed with demons. Sadly, both horse and master were burned to death on the spot.
The story of Pietro is significant because it exemplifies man’s unending quest to bond with the horse. The use of horse whispering, though undefined as such until the 19th century, is one of those elements of horse training that is consistently misunderstood, tragically so for Pietro. Yet horse whispering manages to survive each misinterpretation due largely to the coincidence of rediscovery and partly from the empathic understanding of the individuals handling the horses. Alexandre the Great, and Xenophon the horse master, both of the time period between 320 - 355 BC, were greatly esteemed by their peers for the calming effect they had on vicious horses. Both horsemen endorsed a quiet approach to horse training, preferring the co operation of the horse and the capture of its trust, the easing rather than the exploiting of the horse’s fear of danger. Xenophon was the first to write a book explaining the path of encouragement/reward training for horses, making his the primary origin of horse whispering. Although reward training is not necessarily horse whispering, it clearly contradicted the barbaric tendencies typically employed for training animals and endorsed the empathic approach, and this is an element of horse whispering. Furthermore, Xenophon advised riders to match the strength and boldness of the horse to the logic of human intent, to capture their willingness and to make them happy to work. Certainly an ongoing challenge to meet even for our modern day horse enthusiasts.
Today’s horse whisperers have more recognizable names. Many may remember Alois Podhajski, or Nuno Oliveira, Tom Dorrance, or Buck Brannaman (whose training was the basis for the movie “Horse Whisperer”). The accomplishments of these riding masters prove their art, but they have also left a legacy of valuable articles and books preserving their stories and training work. Another favorite whisperer, Monty Roberts, wrote in his book, “The Man Who Listens To Horses”: A good trainer can hear a horse speak to him. A great trainer can hear him whisper.”
Herein lies the key for those wanting a definition of horse whispering: listening and hearing what the horse has to tell, rather than imposing the human assumption. Monty, whose discovery that horses have their own body language which they use to communicate between themselves, used this ‘language’ to assist the horses in understanding what humans wanted from them. Allowing the horse to understand his handler through its own body language bridged the gap between the human and the equine, creating a common ground that connected the horse straight to the human intent. Defining the text of horse whispering this way clears away much of its mystique. It also places a new burden upon the general horse owner of today to move and expand beyond just a typical grunting, reactionary saddle buff and instead to try to connect with their animal. Most certainly this is what the noble Pietro was trying to share with the world through his work with his special horse Mauraco.

Monty Roberts & horse
References: Xenophon,”Treatise on Horsemanship”; 350BC
Delcampe,M. “Ecuyer de la Grande Ecurie Du Roi”; 1661
Nolan, Capt. L.E., “Training of Cavalry Remount Horses”; 1852
Hutton, R.”Triumph of the Moon”;2001
Title photo of Nevzorova & horse courtesy of Lydia Nevzorova